Too Much Light Makes the Baby Go Blind is an ever changing attempt to perform 30 original plays in 60 minutes. Off of sold out performances in Chicago since the Reagan era, Too Much Light... invaded New York and has continued to entertain late night audiences around the boroughs with its critically acclaimed energetic show of random original short plays. For each performance the audience chooses the order and the New York Neo-Futurists create a non-illusory collage of the comic and tragic, the political and personal, and the visceral and experimental while embracing chance, change and possibly a little chaos.
Group Sales (10+): info@nyneofuturists.org
Appropriate For Ages: 15 and up
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Catherine Zeta-Jones and Angela Lansbury in A Little Night Music, David Alan Grier, James Spader, Richard Thomas, and Kerry Washington in Race, Robin Williams in Weapons of Self-Destruction, Kristen Johnston in So Help Me God! and Cate Blanchett in A Streetcar Named Desire are among this month's highlights. Full Story New York Theater Listings, Tickets, News, Reviews, and more
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![Speed-the-Plow's Broadway run was the most recent triumph of the Pulitzer Prize-winning author's astonishingly productive career. "A brilliant black comedy, a dazzling dissection of Hollywood cupidity and another tone poem by our foremost master of the language of moral epilepsy...On its deepest level it belongs with the darker disclosures of movie-biz pathology like Nathanael West's The Day of the Locust and F. Scott Fitzgerald's The Last Tycoon. In a sense Speed-the-Plow distills all of these to a stark quintessence: there's hardly a line in it that isn't somehow insanely funny or scarily insane... [It is a] scathingly comic play." -Jack Kroll, Newsweek. Paperback.](http://www.broadwaystore.com/images/MametDavid-SpeedthePlow.jpg "Speed-the-Plow's Broadway run was the most recent triumph of the Pulitzer Prize-winning author's astonishingly productive career. \"A brilliant black comedy, a dazzling dissection of Hollywood cupidity and another tone poem by our foremost master of the language of moral epilepsy...On its deepest level it belongs with the darker disclosures of movie-biz pathology like Nathanael West's The Day of the Locust and F. Scott Fitzgerald's The Last Tycoon. In a sense Speed-the-Plow distills all of these to a stark quintessence: there's hardly a line in it that isn't somehow insanely funny or scarily insane... [It is a] scathingly comic play.\" -Jack Kroll, Newsweek. Paperback.")
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